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Fight Club (1999)
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Fight Club (1999)
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Season 1, Episode 1 — Fight Club (1999)
#1
NARRATOR: People are always asking me if I know Tyler Durden.
#2
TYLER: Three minutes. This is it. Ground zero.
#3
Would you like to say a few words to mark the occasion?
#4
(muffled)
#5
NARRATOR: With a gun barrel between your teeth, you speak only in vowels.
#6
I can't think of anything.
#7
For a second I totally forget about Tyler's whole controlled demolition thing,
#8
and I wonder how clean that gun is.
#9
It's getting exciting now.
#10
That old saying, how you always hurt the one you love?
#11
Well, it works both ways.
#12
- (sirens wailing) - We've front row seats for this theater of mass destruction.
#13
The demolitions committee of Project Mayhem,
#14
wrapped the foundation columns of a dozen buildings with blasting gelatin.
#15
In two minutes, primary charges will blow base charges,
#16
- and a few square blocks will be reduced
#17
- to smoldering rubble. - (beeping)
#18
I know this because Tyler knows this.
#19
Two and a half. Think of everything we've accomplished.
#20
And suddenly, I realize that all of this--
#21
the gun, the bombs, the revolution--
#22
has got something to do with a girl named Marla Singer.
#23
Bob. Bob had bitch-tits.
#24
This was a support group
#25
- for men with testicular cancer. - (sobbing)
#26
The big moosey slobbering all over me-- that was Bob.
#27
We're still men.
#28
Yes, we're men.
#29
Men is what we are.
#30
Eight months ago, Bob's testicles were removed. Then hormone therapy.
#31
He developed bitch-tits because his testosterone was too high,
#32
and his body upped the estrogen.
#33
- And that was where I fit. - They're gonna have to open up my pecs again
#34
- and drain the fluid. - Between those huge, sweating tits
#35
that hung enormous, the way you'd think of God's as big.
#36
Okay. You cry now.
#37
- No, wait. Back up. Let me start earlier. - (clock ticking)
#38
For six months, I couldn't sleep.
#39
(echoing) I couldn't sleep. I couldn't sleep. I couldn't sleep.
#40
With insomnia, nothing's real.
#41
Everything's far away.
#42
Everything's a copy of a copy of a copy.
#43
- When deep space exploration ramps up... - (line ringing)
#44
...it'll be the corporations that name everything--
#45
the IBM Stellarsphere,
#46
the Microsoft Galaxy,
#47
planet Starbucks.
#48
Gonna need you out of town a little more this week. We got some red flags to cover.
#49
It must've been Tuesday. He was wearing his cornflower-blue tie.
#50
You want me to de-prioritize my current reports...
#51
- Yeah. - ...until you advise of a status upgrade?
#52
Make these your primary action items.
#53
Here's your flight coupons. Call me from the road if there's any snags.
#54
NARRATOR: He was full of pep.
#55
Must have had his grande latte enema.
#56
Like so many others, I had become a slave
#57
- to the Ikea nesting instinct. - WOMAN (indistinct)
#58
Uh, yes. I'd like to order the Erika Pekkari dust ruffles.
#59
- WOMAN: Please hold. - If I saw something clever,
#60
like a little coffee table in the shape of a yin-yang, I had to have it.
#61
The Klipske personal office unit,
#62
the Hovetrekke home exer-bike,
#63
or the Johannshamn sofa with the Strinne green stripe pattern.
#64
Even the Rizlampa wire lamps
#65
of environmentally friendly unbleached paper.
#66
I'd flip through catalogs and wonder:
#67
What kind of dining set defines me as a person?
#68
I had it all-- even the glass dishes
#69
with tiny bubbles and imperfections,
#70
proof that they were crafted by the honest, simple,
#71
- hard-working indigenous peoples of... - WOMAN: Please hold.
#72
- ...wherever. - I was holding.
#73
- AUTOMATED VOICE: Your call is important to us. - We used to read pornography.
#74
Now it was the Horchow collection.
#75
No, you can't die from insomnia.
#76
What about narcolepsy? I nod off. I wake up in strange places.
#77
- I have no idea how I got there. - You need to lighten up.
#78
Can you please just get me something?
#79
NARRATOR: Red and blue Tuenols, lipstick-red Seconals.
#80
No. You need healthy, natural sleep.
#81
Chew some valerian root and get more exercise.
#82
Hey, come on. I'm in pain.
#83
You wanna see pain? Swing by First Methodist Tuesday nights.
#84
See the guys with testicular cancer.
#85
That's pain.
#86
♪ (chorus vocalizing)
#87
I always wanted three kids-- two boys and a girl.
#88
Mindy wanted two girls and a boy.
#89
We never could agree on anything.
#90
Well, uh, you know, she--
#91
She had her first child last week, a-- a girl.
#92
With-With her, uh-- With her new husband.
#93
MAN (whispering): Fuck.
#94
And-- And thank God, you know? (chuckles)
#95
I'm-I'm glad for her.
#96
(whimpering) Because she deserves it.
#97
Aw.
#98
Everyone, let's thank Thomas for sharing himself with us.
#99
ALL: Thank you, Thomas.
#100
I look around this room, and I see a lot of courage,
#101
and that gives me strength.
#102
We give each other strength.
#103
It's time for the one-on-ones. So let's all of us here
#104
follow Thomas' good example, and really open ourselves up.
#105
Would you find a partner, please?
#106
NARRATOR: And this is how I met the big moosey.
#107
MAN: Come on. Let's go over here.
#108
NARRATOR: His eyes already shrink-wrapped in tears.
#109
Knees together. Those awkward little steps.
#110
- My name is Bob. - Bob--
#111
NARRATOR: Bob had been a champion bodybuilder.
#112
You know that chest-expansion program you see on late-night TV?
#113
- That was his idea. - I was a juicer.
#114
You know, using steroids.
#115
Diabonal and...
#116
Wistrol.
#117
Oh, they use that on racehorses, for Christ's sakes.
#118
And now I'm bankrupt.
#119
I'm divorced.
#120
My two grown kids
#121
won't even return my phone calls. (sniffles)
#122
NARRATOR: Strangers with this kind of honesty make me go a big rubbery one.
#123
Go ahead, Cornelius.
#124
You can cry.
#125
(crying)
#126
- NARRATOR: And then, something happened. - (crying continues)
#127
- I let go. - That's really good.
#128
Lost in oblivion, dark and silent and complete.
#129
♪ (choir)
#130
I found freedom.
#131
Losing all hope was freedom.
#132
It's okay.
#133
(grunts)
#134
- Babies don't sleep this well. - (snores)
#135
I became addicted.
#136
(people chattering)
#137
(chattering)
#138
NARRATOR: If I didn't say anything,
#139
people always assumed the worst.
#140
- MAN: Welcome, Travis. - MAN #2: Welcome, Travis.
#141
- They cried harder. - (sobbing)
#142
Then I cried harder.
#143
(group chattering)
#144
WOMAN: Now we're going to open the green door--
#145
the heart chakra.
#146
- NARRATOR: I wasn't really dying. - WOMAN (continues)
#147
I wasn't host to cancer or parasites.
#148
I was the warm little center that the life of this world crowded around.
#149
Imagine your pain as a white ball of healing light.
#150
It moves over your body, healing you.
#151
Now, keep this going. Remember to breathe,
#152
and step forward through the back door of the room.
#153
Where does it lead? To your cave.
#154
Step forward into your cave.
#155
That's right.
#156
You're going deeper into your cave,
#157
and you're going to find your power animal.
#158
(cooing)
#159
Slide.
#160
(giggles)
#161
NARRATOR: Every evening I died,
#162
and every evening I was born again.
#163
Resurrected.
#164
MEN (sobbing)
#165
Bob loved me because he thought my testicles were removed too.
#166
Being there, pressed against his tits,
#167
ready to cry.
#168
This was my vacation.
#169
And she... ruined... everything.
#170
This is cancer, right?
#171
This chick, Marla Singer,
#172
did not have testicular cancer.
#173
She was a liar.
#174
She had no diseases at all.
#175
I had seen her at Free and Clear, my blood parasites group Thursdays.
#176
Then at Hope, my bimonthly sickle-cell circle.
#177
And again at Seize the Day, my tuberculosis Friday night.
#178
(coughing)
#179
Marla, the big tourist.
#180
Her lie reflected my lie,
#181
and suddenly, I felt nothing.
#182
I couldn't cry.
#183
So once again, I couldn't sleep.
#184
Next group, after guided meditation,
#185
after we open our heart chakras, when it's time to hug,
#186
I'm gonna grab that little bitch Marla Singer and scream--
#187
Marla, you liar! You big tourist!
#188
I need this! Now get out!
#189
(clock ticking)
#190
NARRATOR: I hadn't slept in four days.
#191
MAN (on TV): Absolutely. We'll just let that dry.
#192
NARRATOR: When you have insomnia, you're never really asleep,
#193
- and you're never really awake. - (applause on TV)
#194
- (bells tolling) - WOMAN: To begin tonight's communion,
#195
Chloe would like to say a few words.
#196
NARRATOR: Oh, yeah. Chloe.
#197
Chloe looked the way Meryl Streep's skeleton would look
#198
if you made it smile and walk around the party being extra nice to everybody.
#199
Well, I'm still here,
#200
but I don't know for how long.
#201
That's as much certainty as anyone can give me.
#202
But I've got some good news.
#203
I no longer have any fear of death.
#204
But I am in a pretty lonely place.
#205
No one will have sex with me.
#206
I'm so close to the end, and all I want is to get laid for the last time.
#207
I have pornographic movies in my apartment--
#208
and lubricants and amyl nitrate.
#209
Thank you, Chloe.
#210
Everyone, let's thank Chloe.
#211
- WOMAN #2: Thanks, Chloe. - MEMBERS: Thank you, Chloe.
#212
(coughing)
#213
Now, let's ready ourself for guided meditation.
#214
You're standing at the entrance of your cave.
#215
You step inside your cave, and you walk.
#216
NARRATOR: If I did have a tumor,
#217
- I'd name it Marla. - It's a very quiet place.
#218
Marla-- the little scratch on the roof of your mouth
#219
that would heal if only you could stop tonguing it, but you can't.
#220
WOMAN: Step deeper into your cave as you walk.
#221
You feel the healing energy of this place all around you.
#222
Now find your power animal.
#223
Slide.
#224
WOMAN: Okay. Now let's partner up.
#225
Pick someone special to you tonight.
#226
(chattering)
#227
Hey.
#228
- We need to talk. - Sure.
#229
- I'm on to you. - What?
#230
Yeah. You're a faker. You're not dying.
#231
Sorry?
#232
In the Tibetan philosophy, Sylvia Plath sense of the word,
#233
I know we're all-- we're all dying, all right?
#234
But you're not dying the way Chloe back there is dying.
#235
So?
#236
So you're a tourist. Okay? I've seen you.
#237
I saw you-- saw you at melanoma. Saw you at tuberculosis.
#238
I saw you at testicular cancer.
#239
I saw you practicing this.
#240
- Practicing what? - Telling me off.
#241
Is it going as well as you hoped, "Rupert"?
#242
- I'll expose you. - Go ahead. I'll expose you.
#243
WOMAN: All right, come together. Let yourselves cry.
#244
(crying softly)
#245
Oh, God, why are you doing this?
#246
It's cheaper than a movie, and there's free coffee.
#247
No, look. This is important, okay?
#248
These are my groups. I've been coming here for over a year.
#249
Why do you do it?
#250
I don't know. When people think you're dying,
#251
man, they really, really listen to you instead of just--
#252
Instead of just waiting for their turn to speak?
#253
Yeah. Yeah.
#254
- Share yourself... completely. - (moans)
#255
Look, you don't want to get into this. It becomes an addiction.
#256
- Really? - I'm not kidding.
#257
I can't cry if there's another faker present, and I need this.
#258
So you got to find somewhere else to go.
#259
Candy-stripe a cancer ward. It's not my problem.
#260
Wait, wait-- Wait a second. Ho-Hold on.
#261
I'll tell you. We're gonna split up the week, okay?
#262
You take lymphoma and tuberculosis--
#263
You take tuberculosis. My smoking doesn't go over at all.
#264
- Okay. Good. Fine. - (coughs)
#265
Testicular cancer should be no contest, I think.
#266
Well, technically, I have more right to be there than you.
#267
- You still have your balls. - You're kidding.
#268
- I don't know. Am I? - No. No.
#269
- What do you want? - I'll take the parasites.
#270
You can't have both the parasites, but why don't you take the blood parasites--
#271
- I want brain parasites. - I'll take the blood parasites,
#272
- but I'm gonna take the organic brain dementia, okay? - I want that.
#273
You can't have the whole brain.
#274
- So far you have four. I only have two. - Okay.
#275
Take both the parasites. They're yours. Now we both have three.
#276
Hey, you left half your clothes!
#277
(tires squealing)
#278
(car horns honking)
#279
- What, are you selling those? - Yes! I'm selling some clothes.
#280
So, we each have three. That's six.
#281
What about the seventh day? I want ascending bowel cancer.
#282
- NARRATOR: The girl had done her homework. - Thank you.
#283
No. No. I want bowel cancer.
#284
That's your favorite too? Tried to slip it by me, eh?
#285
We're gonna split it, okay? Take the first and third Sunday of the month.
#286
(horns honking in distance)
#287
Deal.
#288
Looks like this is good-bye.
#289
Well, let's not make a big thing out of it, okay?
#290
How's this for not making a big thing?
#291
(door opens)
#292
Hey, Marla!
#293
- (horn honks) - Marla!
#294
May-Maybe we should exchange numbers.
#295
- Should we? - We might want to switch nights.
#296
Okay.
#297
♪ (humming)
#298
NARRATOR: This is how I met Marla Singer.
#299
♪ (humming continues)
#300
Marla's philosophy of life was that she might die at any moment.
#301
The tragedy, she said, was that she didn't.
#302
It doesn't have your name. Who are you?
#303
- Cornelius? Rupert? Travis? - (horns honking)
#304
Any of the stupid names you give each night?
#305
- (turbulence) - NARRATOR: You wake up at Sea-Tac,
#306
S.F.O., L.A.X.
#307
- (camera shutter clicks) - You wake up at O'Hare,
#308
Dallas-Fort Worth,
#309
B.W.I.,
#310
pacific, mountain, central.
#311
Lose an hour. Gain an hour.
#312
Check-in for that flight doesn't begin for another two hours, sir.
#313
This is your life, and it's ending one minute at a time.
#314
- (bell dings) - You wake up at Air Harbor International.
#315
WOMAN (on P.A.): ...the aircraft has come to a complete stop.
#316
NARRATOR: If you wake up at a different time, in a different place,
#317
could you wake up as a different person?
#318
Everywhere I travel-- tiny life.
#319
Single-serving sugar. Single-serving cream.
#320
Single pat of butter.
#321
The microwave Cordon Bleu hobby kit.
#322
Shampoo-conditioner combos.
#323
Sample package mouthwash. Tiny bars of soap.
#324
MAN: ...professional wait staff--
#325
NARRATOR: The people I meet on each flight, they're single-serving friends.
#326
Between takeoff and landing, we have our time together,
#327
but that's all we get.
#328
ALL: Welcome!
#329
NARRATOR: On a long enough time line, the survival rate for everyone drops to zero.
#330
I was a recall coordinator. My job was to apply the formula.
#331
Here's where the infant went through the windshield. Three points.
#332
NARRATOR: A new car built by my company leaves somewhere traveling at 60 miles per hour.
#333
The rear differential locks up.
#334
MAN: The teenager's braces are wrapped around the backseat ashtray.
#335
Might make a good anti-smoking ad.
#336
NARRATOR: The car crashes and burns with everyone trapped inside.
#337
Now, should we initiate a recall?
#338
The father must've been huge. You see where the fat's burned to the seat?
#339
The polyester shirt?
#340
- Very modern art. - (chuckles)
#341
NARRATOR: Take the number of vehicles in the field, "A,"
#342
multiply it by the probable rate of failure, "B,"
#343
then multiply the result by the average out-of-court settlement, "C."
#344
"A" times "B" times "C"--
#345
equals "X."
#346
If "X" is less than the cost of a recall,
#347
we don't do one.
#348
Are there a lot of these kinds of accidents?
#349
You wouldn't believe.
#350
Which car company do you work for?
#351
A major one.
#352
NARRATOR: Every time the plane banked too sharply
#353
on takeoff or landing, I prayed for a crash or a midair collision.
#354
Anything.
#355
(screaming)
#356
Life insurance pays off triple if you die on a business trip.
#357
(dings)
#358
"If you are seated in an emergency exit row"-- Yeah.
#359
"And you feel you would be unable or unwilling to perform
#360
the duties listed on the safety card,
#361
please ask a flight attendant to reseat you."
#362
It's a lot of responsibility.
#363
Wanna switch seats?
#364
No. I'm not sure I'm the man for that particular job.
#365
An exit-door procedure at 30,000 feet. Mm-hmm.
#366
The illusion of safety.
#367
Yeah. I guess so.
#368
You know why they put oxygen masks on planes?
#369
So you can breathe.
#370
Oxygen gets you high.
#371
In a catastrophic emergency, you're taking giant, panicked breaths.
#372
Suddenly you become euphoric, docile.
#373
You accept your fate.
#374
It's all right here.
#375
Emergency water landing-- 600 miles an hour.
#376
Blank faces, calm as Hindu cows.
#377
That's, um--
#378
That's an interesting theory.
#379
- What do you do? - What do you mean?
#380
What do you do for a living?
#381
Why? So you can pretend like you're interested?
#382
(laughs) Okay.
#383
You have a kind of sick desperation in your laugh.
#384
We have the exact same briefcase.
#385
- Soap. - Sorry?
#386
I make and I sell soap.
#387
The yardstick of civilization.
#388
- NARRATOR: And this is how I met-- - "Tyler Durden."
#389
Did you know if you mixed equal parts of gasoline
#390
and frozen orange juice concentrate, you can make napalm?
#391
No, I did not know that. Is that true?
#392
That's right. One can make all kinds of explosives using simple household items.
#393
- Really? - If one were so inclined.
#394
(briefcase latches click)
#395
Tyler, you are by far the most interesting
#396
"single-serving" friend I've ever met.
#397
See, I have this thing-- Everything on a plane is single-serving, even--
#398
- Oh, I get it. It's very clever. - Well, thank you.
#399
How's that working out for you?
#400
- What? - Being clever.
#401
Great.
#402
Keep it up then. Keep it right up.
#403
(sighs) Now a question of etiquette.
#404
As I pass, do I give you the ass or the crotch?
#405
NARRATOR: How I came to live with Tyler is--
#406
Airlines have this policy about vibrating luggage.
#407
WOMAN (on P.A., indistinct)
#408
Was-Was it ticking?
#409
Actually, throwers don't worry about ticking, 'cause modern bombs don't tick.
#410
- Sorry. "Throwers"? - Baggage handlers.
#411
But when a suitcase vibrates, then the thrower's gotta call the police.
#412
My suitcase... was vibrating?
#413
Nine times out of 10, it's an electric razor,
#414
but every once in a while...
#415
(whispering) it's a dildo.
#416
Of course, it's company policy never to imply ownership in the event of a dildo.
#417
We have to use the indefinite article-- "A" dildo.
#418
Never... "your" dildo.
#419
I don't own--
#420
NARRATOR: I had everything in that suitcase--
#421
My CK shirts, my DKNY shoes,
#422
my AX ties.
#423
- Never mind. - (tires squealing)
#424
MAN: Hey! That's my car!
#425
- (police radio chatter) - (siren wailing)
#426
NARRATOR: Home was a condo on the 15th floor
#427
of a filing cabinet for widows and young professionals.
#428
The walls were solid concrete.
#429
A foot of concrete's important when your next-door neighbor lets her hearing aid go
#430
and has to watch game shows at full volume.
#431
Or when a volcanic blast and debris
#432
that used to be your furniture and personal effects
#433
blows out of your floor-to-ceiling windows
#434
and sails flaming into the night.
#435
(helicopter circling)
#436
(police radio chatter)
#437
I suppose these things happen.
#438
There's nothing up there.
#439
You can't go into the unit. Police orders.
#440
Do you have somebody you can call?
#441
NARRATOR: How embarrassing. A house full of condiments and no food.
#442
The police would later tell me that the pilot light might have gone out,
#443
letting out just a little bit of gas.
#444
That gas could have slowly filled the condo--
#445
1,700 square feet with high ceilings for days and days.
#446
(dialing)
#447
- (line ringing) - Then the refrigerator's compressor could've clicked on.
#448
(ringing)
#449
MARLA: Yeah?
#450
- I can hear you breathing, you-- - (handset settles in cradle)
#451
NARRATOR: If you asked me now, I couldn't tell you why I called him.
#452
(line ringing)
#453
- (engine starts) - (ringing continues)
#454
(vehicle departs)
#455
(rings)
#456
(ringing continues)
#457
Hello?
#458
TYLER: Who's this? (crunching)
#459
Tyler?
#460
- Who is this? - Um-- (clears throat)
#461
We met-- We met on the airplane. We had the same suitcase.
#462
- (crunching continues) - Uh, the clever guy.
#463
TYLER: Oh. (laughing) Oh, yeah. Right. Okay.
#464
I called a second ago. There was no answer. I'm at a pay phone.
#465
Yeah. I star-69ed you. I never pick up my phone. (crunching)
#466
- So, what's up, man? - Uh, well--
#467
You're not gonna believe this.
#468
TYLER: You know, man, it could be worse.
#469
A woman could cut off your penis while you're sleeping
#470
and toss it out the window of a moving car.
#471
There's always that. I don't know. It's just--
#472
When you buy furniture, you tell yourself, "That's it.
#473
That's the last sofa I'm gonna need."
#474
Whatever else happens, I've got that sofa problem handled.
#475
I had it all. I had a stereo that was very decent,
#476
a wardrobe that was getting very respectable.
#477
I was close to being complete.
#478
- Shit, man. Now it's all gone. - All gone.
#479
Hmm. All gone.
#480
Do you know what a duvet is?
#481
- Comforter. - It's a blanket.
#482
Just a blanket. Why do guys like you and I know what a duvet is?
#483
Is this essential to our survival in the hunter-gatherer sense of the word?
#484
No. What are we then?
#485
We're, uh-- I don't know. Consumers.
#486
Right. We are consumers.
#487
We are by-products of a lifestyle obsession.
#488
Murder, crime, poverty-- These things don't concern me.
#489
What concerns me are celebrity magazines,
#490
television with 500 channels,
#491
some guy's name on my underwear.
#492
Rogaine, Viagra, olestra.
#493
- Martha Stewart. - Fuck Martha Stewart.
#494
Martha's polishing the brass on the Titanic. It's all going down, man.
#495
So fuck off with your sofa units
#496
and Strinne green stripe patterns.
#497
I say, never be complete.
#498
I say, stop being perfect. I say, let-let's evolve.
#499
Let the chips fall where they may.
#500
But that's me, and I could be wrong. Maybe it's a terrible tragedy.
#501
Nah. It's just-- It's just stuff.
#502
- It's not a tragedy, but-- - Well, you did lose
#503
a lot of versatile solutions for modern living.
#504
Fuck. You're right. No. I don't smoke.
#505
My-- My insurance is probably gonna cover it, so--
#506
(grunts)
#507
What?
#508
The things you own end up owning you.
#509
But do what you like, man.
#510
(groans) Oh, it's late.
#511
- Hey, thanks for the beer. - Yeah, man.
#512
I should find a hotel.
#513
- (groans) - What?
#514
- What? - A hotel?
#515
- Yeah. - Just ask, man.
#516
- What are you talking about? - (chuckles) Oh, God.
#517
Three pitchers of beer, and you still can't ask.
#518
- What? - You called me 'cause you needed a place to stay.
#519
- Oh, hey, hey-- No, no, no. I didn't mean-- - Yes, you did. So just ask.
#520
Cut the foreplay and just ask, man.
#521
Would-Would that be a problem?
#522
Is it a problem for you to ask?
#523
- Can I stay at your place? - Yeah.
#524
Thanks.
#525
- I want you to do me a favor. - Yeah, sure.
#526
I want you to hit me as hard as you can.
#527
What?
#528
I want you to hit me as hard as you can.
#529
NARRATOR: Let me tell you a little bit about Tyler Durden.
#530
Tyler was a night person.
#531
While the rest of us were sleeping, he worked.
#532
He had one part-time job as a projectionist.
#533
See, a movie doesn't come all on one big reel. It comes on a few.
#534
So someone has to be there to switch the projectors
#535
at the exact moment that one reel ends and the next one begins.
#536
If you look for it, you can see these little dots
#537
- come into the upper right-hand corner of the screen. - (beep)
#538
In the industry, we call them "cigarette burns."
#539
That's the cue for a changeover.
#540
He flips the projectors, movie keeps right on going,
#541
and nobody in the audience has any idea.
#542
Why would anyone want this shit job?
#543
Because it affords him other interesting opportunities.
#544
Like splicing single frames of pornography into family films.
#545
So when the snooty cat and the courageous dog with the celebrity voices
#546
meet for the first time in reel three,
#547
that's when you'll catch a flash of Tyler's contribution to the film.
#548
♪ (singing in movie)
#549
- WOMAN (moans) - ♪ (singing continues)
#550
Nobody knows that they saw it, but they did.
#551
A nice, big cock.
#552
♪ (singing continues)
#553
(crying)
#554
Even a hummingbird couldn't catch Tyler at work.
#555
♪ (soft piano)
#556
Tyler also works sometimes as a banquet waiter
#557
at the luxurious Pressman Hotel.
#558
- (urinating) - He was the guerrilla terrorist in the food service industry.
#559
Do not watch. I cannot go when you watch.
#560
Apart from seasoning the lobster bisque,
#561
he farted on meringues, sneezed on braised endive.
#562
And as for the cream of mushroom soup, well--
#563
- (chuckles) Go ahead. Tell them. - You get the idea.
#564
- What do you want me to do? You just want me to hit you? - Come on. Do me this one favor.
#565
- Why? - Why? I don't know why. I don't know.
#566
- I've never been in a fight. You? - No, but that's a good thing.
#567
No, it is not. How much can you know about yourself if you've never been in a fight?
#568
I don't wanna die without any scars.
#569
So, come on. Hit me before I lose my nerve.
#570
Oh, God. This is crazy. I--
#571
- So go crazy. Let 'er rip. - Hey, I don't know about this.
#572
I don't either, but who gives a shit?
#573
- No one's watching. What do you care? - Wait.
#574
- This is crazy. You want me to hit you? - That's right.
#575
- What, like, in the face? - (laughing) Surprise me.
#576
This is so fucking stupid.
#577
(train horn blowing in distance)
#578
(grunts)
#579
Motherfucker!
#580
- You hit me in the ear! - Well, Jesus, I'm sorry.
#581
Ow! Christ! Why the ear, man?
#582
- Aw, I fucked it up kinda. - No. That was perfect.
#583
(grunts)
#584
- (groaning) - (chuckles)
#585
Nah, it's all right.
#586
- You okay? - That really hurts.
#587
- Right. - Hit me again.
#588
(laughing) No. You hit me. Come on.
#589
BOTH (grunting)
#590
(siren wailing in distance)
#591
We should do this again sometime.
#592
(chuckles)
#593
- Where's your car? - What car?
#594
(belches)
#595
NARRATOR: I don't know how Tyler found that house,
#596
but he said he'd been there for a year.
#597
- It looked like it was waiting to be torn down. - (groans)
#598
Most of the windows were boarded up.
#599
There was no lock on the front door
#600
from when the police or whoever kicked it in.
#601
- The stairs were ready to collapse. - (board cracks)
#602
I didn't know if he owned it or if he was squatting.
#603
Neither would have surprised me.
#604
Yep. That's you.
#605
That's me. That's the toilet. Good?
#606
Yeah. Thanks.
#607
- NARRATOR: What a shit-hole. - (springs clang)
#608
- Nothing worked. - (water pipes rumble)
#609
Turning on one light meant another light in the house went out.
#610
There were no neighbors, just some warehouses and a paper mill--
#611
That fart smell of steam, the hamster cage smell of wood chips.
#612
- After work tomorrow, we'll be-- - Hey. What have we here?
#613
BOTH (grunting)
#614
Hold on. Hold on. (groans)
#615
- Hey, guys. - Hey.
#616
- Hey. - It's cool. (grunts)
#617
♪ (whistling)
#618
NARRATOR: Every time it rained, we had to kill the power.
#619
By the end of the first month, I didn't miss TV.
#620
That's it. Okay.
#621
I didn't even mind the warm, stale refrigerator.
#622
BOTH (grunting)
#623
Can I be next?
#624
All right, man. Lose the tie.
#625
- (glass shatters) - Ooh! (laughs)
#626
NARRATOR: At night, Tyler and I were alone for a half a mile in every direction.
#627
- (glass shatters) - You got it.
#628
Rain trickled down through the plaster and the light fixtures.
#629
Everything wooden swelled and shrank.
#630
Everywhere were rusted nails to snag your elbow on.
#631
The previous occupant had been a bit of a shut-in.
#632
- (bell dings) - Hey, man, what are you reading?
#633
Listen to this. It's an article written by an organ in the first person.
#634
"I am Jack's medulla oblongata.
#635
Without me, Jack could not regulate his heart rate, blood pressure or breathing."
#636
There's a whole series of these.
#637
- I Am Jill's Nipples. - (clattering)
#638
- I Am Jack's Colon. - Yeah. "I get cancer. I kill Jack."
#639
Whoa-- Ohh!
#640
NARRATOR: After fighting, everything else in your life got the volume turned down.
#641
(muted chattering)
#642
- What? - NARRATOR: You could deal with anything.
#643
Have you finished those reports?
#644
- (water splashes) - TYLER: If you could fight anyone, who would you fight?
#645
- (scrubbing) - I'd fight my boss, probably.
#646
Really?
#647
Yeah. Why? Who would you fight?
#648
- I'd fight my dad. - I don't know my dad.
#649
I mean, I know him, but he left when I was, like, six years old,
#650
married this other woman and had some other kids.
#651
He, like, did this every six years.
#652
He goes to a new city and starts a new family.
#653
Fucker settin' up franchises.
#654
My dad never went to college, so it was real important that I go.
#655
- That sounds familiar. - So I graduate. I call him up long distance.
#656
I say, "Dad, now what?" He says, "Get a job."
#657
- Same here. - Now I'm 25.
#658
I make my yearly call again. I say, "Dad, now what?"
#659
He says, "I don't know. Get married."
#660
(scoffs) I mean-- I can't get married.
#661
- (thunder rumbles) - I'm a 30-year-old boy.
#662
We're a generation of men raised by women.
#663
I'm wondering if another woman is really the answer we need.
#664
NARRATOR: Most of the week, we were Ozzie and Harriet.
#665
- ♪ (whistling) - But every Saturday night,
#666
- we were finding something out. - MEN (shouting)
#667
We were finding out more and more that we were not alone.
#668
MEN (groaning)
#669
MAN: Who turned the lights off?
#670
It used to be that when I came home angry or depressed--
#671
- MAN: Good night, Marla. - I'd just clean my condo,
#672
polish my Scandinavian furniture.
#673
I should've been looking for a new condo.
#674
I should've been haggling with my insurance company.
#675
I should've been upset about my nice, neat flaming little shit.
#676
But I wasn't.
#677
The basic premise of cyber-netting any office is make things more efficient.
#678
NARRATOR: Monday mornings, all I could do was think about next week.
#679
Can I get the icon in cornflower blue?
#680
Absolutely. Efficiency is priority number one, people.
#681
Because waste is a thief.
#682
I showed this already to my man here. You liked it, didn't you?
#683
(hisses)
#684
NARRATOR: You can swallow a pint of blood before you get sick.
#685
It was right in everyone's face.
#686
Tyler and I just made it visible.
#687
It was on the tip of everyone's tongue.
#688
- Tyler and I just gave it a name. - ♪ (rock)
#689
♪ MAN (singing, indistinct)
#690
Come on, people, you gotta go home.
#691
♪ (continues)
#692
Turn off the jukebox. Lock the back.
#693
- MAN: Keep it down. - MAN #2 (hawks)
#694
- Keep it down. - (spits)
#695
NARRATOR: Every week, Tyler gave the rules that he and I decided.
#696
Gentlemen, welcome to Fight Club.
#697
(switch clicks)
#698
The first rule of Fight Club is
#699
you do not talk about Fight Club.
#700
The second rule of Fight Club is
#701
you do not talk about Fight Club.
#702
Third rule of Fight Club--
#703
Someone yells stop, goes limp, taps out, the fight is over.
#704
- Fourth rule-- Only two guys to a fight. - (scattered laughter)
#705
Fifth rule-- One fight at a time, fellas.
#706
- (laughter) - Sixth rule-- No shirts, no shoes.
#707
Seventh rule-- Fights will go on as long as they have to.
#708
And the eighth and final rule--
#709
If this is your first night at Fight Club,
#710
you have to fight.
#711
(loud shouting, cheering)
#712
NARRATOR: This kid from work, Ricky,
#713
couldn't remember whether you ordered pens with blue ink or black.
#714
- Come on, man! - But Ricky was a god for 10 minutes
#715
when he trounced the maître d' of a local food court.
#716
Sometimes, all you could hear were the flat, hard packing sounds over the yelling.
#717
Or the wet choke when someone caught their breath and sprayed--
#718
- Stop! - You weren't alive anywhere like you were there.
#719
But Fight Club only exists in the hours
#720
between when Fight Club starts and when Fight Club ends.
#721
Even if I could tell someone they had a good fight,
#722
I wouldn't be talking to the same man.
#723
Who you were in Fight Club is not who you were in the rest of the world.
#724
The guy who came to Fight Club for the first time,
#725
his ass was a wad of cookie dough.
#726
After a few weeks, he was carved out of wood.
#727
If you could fight any celebrity, who would you fight?
#728
- Alive or dead? - It doesn't matter. Who'd be tough?
#729
Hemingway. You?
#730
Shatner. I'd fight William Shatner.
#731
NARRATOR: We all started seeing things differently.
#732
- (clattering) - Everywhere we went, we were sizing things up.
#733
I felt sorry for guys packed into gyms,
#734
trying to look like how Calvin Klein
#735
or Tommy Hilfiger said they should.
#736
Is that what a man looks like?
#737
(laughing) Ahh. Self-improvement is masturbation.
#738
Now, self-destruction--
#739
- Excuse me. - WOMAN (coughing)
#740
(screaming)
#741
ALL (shouting)
#742
Pound his ass! Hit him again, man! Come on! Hit him!
#743
(shouting continues)
#744
NARRATOR: Fight Club wasn't about winning or losing.
#745
It wasn't about words.
#746
The hysterical shouting was in tongues,
#747
like in a Pentecostal church.
#748
- Is that it? - Stop! Stop!
#749
When the fight was over, nothing was solved,
#750
- but nothing mattered. - Hey, cool.
#751
NARRATOR: Afterwards, we all felt saved.
#752
Hey, man, how about next week?
#753
- How about next month? - I hear you.
#754
Irvin, you're in the middle. New guy. You too.
#755
NARRATOR: Sometimes, Tyler spoke for me.
#756
Fell down some stairs.
#757
I fell down some stairs.
#758
Fight Club became the reason to cut your hair short or trim your fingernails.
#759
Okay. Any historical figure.
#760
I'd fight Gandhi.
#761
- Good answer. - How about you?
#762
- Lincoln. - Lincoln?
#763
Mm. Big guy, big reach. Skinny guys fight till they're burger.
#764
(groans) Fuck.
#765
Hey. Even the Mona Lisa's falling apart.
#766
(rings)
#767
Hello.
#768
MARLA: Where have you been the last eight weeks?
#769
- Marla? - (karate yell)
#770
- How'd you find me? - You left that forwarding number.
#771
I haven't seen you in any support groups.
#772
Yeah, we split them up. That was the idea, remember?
#773
Yeah, but you haven't been going to yours.
#774
- How do you know? - I cheated.
#775
- (karate yell) - I found a new one.
#776
- Really? - It's for men only.
#777
- Like the testicle thing? - (karate yell)
#778
- Look, this is a bad time. - I've been going to Debtors Anonymous.
#779
- You wanna see some really fucked-up people? - I'm just on my way out.
#780
Me too. I've got a stomach full of Xanax.
#781
I took what was left of a bottle.
#782
It might have been too much.
#783
NARRATOR: Just picture watching Marla Singer throw herself
#784
around her crummy apartment.
#785
But this isn't a for-real suicide thing.
#786
This is probably one of those cry-for-help things.
#787
- NARRATOR: This could go on for hours. - You're staying in tonight then?
#788
Do you wanna wait and hear me describe death?
#789
Do you wanna listen
#790
and see if my spirit can use a phone?
#791
- (clattering) - Have you ever heard a death rattle before?
#792
NARRATOR: Tyler's door was closed. I'd been living here for two months,
#793
and Tyler's door was never closed.
#794
(footsteps on stairs)
#795
You won't believe this dream I had last night.
#796
Yeah, I can hardly believe anything about last night.
#797
(gargles, chuckles)
#798
What-What are you doing here?
#799
What?
#800
This is my house. What are you doing in my house?
#801
Fuck you.
#802
(cup clatters)
#803
(laughs) Ah!
#804
Oh, you got some fucked-up friends, I'm tellin' you.
#805
(chuckling) Limber, though.
#806
Silly cooze.
#807
So I come in last night. Phone's off the hook.
#808
Guess who's on the other end.
#809
NARRATOR: I already knew the story before he told it to me.
#810
Have you ever heard a death rattle before?
#811
Do you think it'll live up to its name?
#812
Or will it just be a death hair ball?
#813
(coughs)
#814
Prepare... to evacuate soul.
#815
Ten, nine, eight--
#816
NARRATOR: Now, how could Tyler, of all people,
#817
think it was a bad thing that Marla Singer was about to die?
#818
MARLA: Five, four,
#819
three-- Oh, hang on.
#820
You got here fast.
#821
♪ WOMAN (singing, indistinct)
#822
Did I call you?
#823
Huh?
#824
Hey. (chuckles)
#825
(stifled laugh)
#826
The mattress is all sealed in slippery plastic.
#827
(rattling)
#828
Oh, don't worry. It's not a threat to you.
#829
(siren wailing)
#830
Oh, fuck.
#831
Somebody called the cops.
#832
(police radio chatter)
#833
- (radio chatter continues) - OFFICER: Back there!
#834
OFFICERS (shouting)
#835
- 513-- Where's 513? - Oh, end of the hall.
#836
You know, the girl who lives there used to be a charming, lovely girl.
#837
- (dog barking) - She's lost faith in herself.
#838
- Miss Singer! - She's a monster.
#839
You have every reason to live!
#840
She's infectious human waste!
#841
- Miss Singer! - Good luck trying to save her!
#842
If I fall asleep, I'm done for.
#843
You're gonna have to keep me up
#844
all night.
#845
Un-fucking-believable. (coughs)
#846
NARRATOR: He was obviously able to handle it.
#847
- You know what I mean. You fucked her. - No, I didn't.
#848
- Never? - No.
#849
- You're not into her, are you? - No! God, not at all.
#850
NARRATOR: I am Jack's raging bile duct.
#851
Are you sure? You can tell me.
#852
- Believe me, I'm sure. - NARRATOR: Put a gun to my head
#853
and paint the walls with my brains.
#854
That's good, 'cause she's a predator posing as a house pet.
#855
Stay away from that one.
#856
(chuckling)
#857
And the shit that came out of this woman's mouth, I ain't never heard.
#858
My God.
#859
I haven't been fucked like that since grade school.
#860
- (shudders) - NARRATOR: How could Tyler not go for that?
#861
The night before last, he was splicing sex organs into Cinderella.
#862
Marla doesn't need a lover. She needs a fucking caseworker.
#863
She needs a wash. And she's in love with sport fuckin'.
#864
NARRATOR: She invaded my support groups. Now she'd invaded my home.
#865
Hey, hey. Sit down.
#866
Now, listen. Can't have you talking to her about me.
#867
- Why would I talk to her-- - You say anything about me or what goes on in this house
#868
to her or to anybody, we're done.
#869
- Now promise me. - Okay.
#870
- You promise? - Yeah, I promise.
#871
- Promise. - I just said I promise.
#872
That's three times you promised.
#873
NARRATOR: If only I had wasted a couple of minutes
#874
and gone to watch Marla Singer die, none of this would've happened.
#875
- MARLA (moaning loudly) - (loud thumping)
#876
MARLA: Oh, my God! Yeah! Oh! Harder! Harder!
#877
Yes! Ooh! Aah!
#878
Aah! Ohh! Aah!
#879
TYLER and MARLA (shouting, grunting)
#880
NARRATOR: I could've moved to another room--
#881
on the third floor, where I might not have heard them.
#882
(shouting continues)
#883
- But I didn't. - (rats squeaking)
#884
MARLA (moaning)
#885
- (loud thumping) - (moaning, screaming)
#886
- (slapping) - (moaning, screaming continue)
#887
MARLA (screaming loudly)
#888
- MARLA and TYLER (screaming) - (bed thumping)
#889
(rattling)
#890
- What are you doin'? - Just goin' to bed.
#891
- MARLA (moaning) - You want to finish her off?
#892
- (gasps) Oh! - (clattering)
#893
No. No, thank you.
#894
MARLA: I found the cigarettes.
#895
- Who are you talking to? - Shut up.
#896
- MARLA (moaning) - NARRATOR: I became the calm little center of the world.
#897
- I was the Zen master. - TYLER (grunting)
#898
I wrote little haiku poems.
#899
I e-mailed them to everyone.
#900
- Is that your blood? - (modem connecting)
#901
Some of it, yeah.
#902
- You can't smoke in here. - (snickers)
#903
Take the rest of the day off. Come back Monday with some clean clothes.
#904
Get yourself together.
#905
NARRATOR: I got right in everyone's hostile little face.
#906
Yes, these are bruises from fighting.
#907
Yes, I'm comfortable with that.
#908
I... am enlightened.
#909
You give up the condo life,
#910
give up all your flaming worldly possessions,
#911
go live in a dilapidated house
#912
- in a toxic-waste part of town-- - TYLER (grunting)
#913
- and you have to come home to this. - (loud thumping)
#914
(phone rings)
#915
TYLER and MARLA (moaning and shouting)
#916
MARLA (screaming loudly)
#917
(rings)
#918
- Hello? - Yes. This is Detective Stern with the arson unit.
#919
We have some new information about the incident
#920
- at your former condo. - Yes?
#921
I don't know if you're aware, but it seems that someone sprayed Freon
#922
into your front door lock, then tapped it with a chisel
#923
to shatter the cylinder.
#924
No, I wasn't aware of that at all.
#925
NARRATOR: I am Jack's cold sweat.
#926
Does this sound strange to you?
#927
Uh, yes, sir. Strange. Very strange.
#928
- The dynamite... - Dynamite?
#929
...left a residue of ammonium oxalate potassium chloride.
#930
- Do you know what this means? - No. What does it mean?
#931
- It means it was homemade. - I'm sorry.
#932
This is just coming as quite a shock to me, sir.
#933
See, whoever set this homemade dynamite
#934
could've blown out your pilot light days before the actual explosion.
#935
The gas was just the detonator.
#936
Who would go and do such a thing?
#937
- I'll ask the questions. - Tell him.
#938
Tell him the liberator who destroyed my property
#939
has realigned my perception.
#940
DETECTIVE: Excuse me. Are you there?
#941
No, I am listening.
#942
It's a little hard to know what to make of all this.
#943
Have you recently made enemies with anyone
#944
who might have access to homemade dynamite?
#945
- Enemies? - Reject the basic assumptions of civilization,
#946
especially the importance of material possessions.
#947
- DETECTIVE: Son, this is serious. - Yes, I know it's serious.
#948
- I mean that. - Yes, it's very serious.
#949
Look, nobody takes this more seriously than me. That condo was my life.
#950
Okay? I loved every stick of furniture in that place.
#951
That was not just a bunch of stuff that got destroyed.
#952
- It was me! - NARRATOR: I'd like to thank the Academy.
#953
DETECTIVE: Is this not a good time for you?
#954
- Just tell him you fuckin' did it. - Shh!
#955
Tell him you blew it all up. That's what he wants to hear.
#956
- Are you still there? - Wait.
#957
- Are you saying that I'm a suspect? - No, no.
#958
I may need to talk to you a little further,
#959
so how about you just let me know if you're gonna leave town?
#960
- Okay? - Okay.
#961
NARRATOR: Except for their humping, Tyler and Marla were never in the same room.
#962
My parents pulled this exact same act for years.
#963
The condom is the glass slipper of our generation.
#964
You slip one on when you meet a stranger.
#965
You dance all night.
#966
Then you throw it away.
#967
- The condom, I mean. Not the stranger. - (lighter flicks)
#968
What?
#969
(chuckles)
#970
(inhales) I got this dress at a thrift store for one dollar.
#971
It was worth every penny.
#972
It's a bridesmaid's dress.
#973
Someone loved it intensely for one day,
#974
then tossed it.
#975
Like a Christmas tree.
#976
So special.
#977
Then, bam.
#978
It's on the side of the road,
#979
tinsel still clinging to it
#980
like a sex crime victim,
#981
underwear inside out,
#982
- bound with electrical tape. - Well, then it suits you.
#983
You can borrow it sometime.
#984
(stomping on stairs)
#985
Get rid of her.
#986
- Why can't you get rid of her? - Don't mention me.
#987
NARRATOR: I'm six years old again,
#988
passing messages between parents.
#989
I really think it's time you got out of here.
#990
- Don't worry. I'm leaving. - Not that we don't love your little visits.
#991
You know, you are such a nutcase. I can't even begin to keep up.
#992
(bottle clatters)
#993
- ♪ Gotta get off ♪ - Thanks. Bye.
#994
♪ Gotta get off this merry-go-round ♪
#995
♪ Gonna get, need to get ♪
#996
♪ Gotta get on where ♪
#997
(chuckling)
#998
You kids.
#999
Wh-Why do you still waste time with her?
#1000
I'll say this about Marla-- At least she's tryin' to hit bottom.
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